Mexican Paintings

(Selective Migration) Again I find myself dealing with the issue of human migration. Latin Americans trying to reach the United States where one of the main obstacles is the language structure to which the migrants must adapt. Inside the crotalic squares there are many cubes with letters in the style of the typefaces of mechanical typewriters, that scattered alphabet and without a specific order denote that there must be a coding. They are exactly the same letters for different languages. The only thing that changes is the form of coding to be able to communicate both concrete and abstract ideas together with the changes in the phonemes of each grapheme. Hence, adaptation becomes selective according to the communication capacity that each individual denotes. The migrant who adapts more quickly to the change in the language coding structure will be able to adapt more easily to his socioeconomic environment, without differentiating between being a man or a woman. Again I use human footprints as a representation of the human walk. To all this, it surrounds a rhythmic composition and with movements.